Shot by Albert Renger-Patzsch, c1930 In photography one should surely proceed from essence of the object and attempt to represent it with photographic terms alone." Albert Renger-Patzsch

Shot by Albert Renger-Patzsch, c1930 In photography one should surely proceed from essence of the object and attempt to represent it with photographic terms alone." Albert Renger-Patzsch

Nudes on sand and Ansel Adams: the pictures that changed photography – part three

Nudes on sand and Ansel Adams: the pictures that changed photography – part three

Nudes on sand and Ansel Adams: the pictures that changed photography – part three Sempervivum Percarneum, 1922 by Albert Renger-Patzsch

Albert Renger-Patzsch / The World Is Beautiful - A Level photography site

Albert Renger-Patzsch / The World Is Beautiful - A Level photography site

Albert Renger-Patzsch, Laboratory Glasses, Schott Galssworks, Jena, 1934

Albert Renger-Patzsch, Laboratory Glasses, Schott Galssworks, Jena, 1934

Albert Renger-Patzsch, el discreto encanto de la sobriedad

Albert Renger-Patzsch, el discreto encanto de la sobriedad

DIE WELT IST SCHÖN - Albert Renger-Patzsch

DIE WELT IST SCHÖN - Albert Renger-Patzsch

In the years 1927–1935, Albert Renger-Patzsch, one of the most important photographers of the New Objectivity school, took a comprehensive series of photographs in the Ruhr area depicting the outskirts of towns, landscapes of spoil pits, country roads, backyards and suburban houses, allotments and coal mines.

In the years 1927–1935, Albert Renger-Patzsch, one of the most important photographers of the New Objectivity school, took a comprehensive series of photographs in the Ruhr area depicting the outskirts of towns, landscapes of spoil pits, country roads, backyards and suburban houses, allotments and coal mines.

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