Cemetery, Nieu Bethesda, South Africa: memorial stone for Helen Martins - outsider artist, creator of the Owl House

Helen Martins, Creator of the Owl House in Nieu Bethesda. One of the many sculptures in her 'Camel Yard'.

HELEN MARTINS (1897-1976) | THE OWL HOUSE | South Africa | Known to the residents of Nieu-Bethesda as 'Miss Helen' and thought of as a strange and rather outlandish character, she shied away from general contact, and began transforming her house and garden. Despite crippling arthritis, and the amputation of her small toes which left her unable to wear anything but slip-ons on her feet, Martins decorated her home with 'glass and light'.

HELEN MARTINS (1897-1976) | THE OWL HOUSE | South Africa | Known to the residents of Nieu-Bethesda as 'Miss Helen' and thought of as a strange and rather outlandish character, she shied away from general contact, and began transforming her house and garden. Despite crippling arthritis, and the amputation of her small toes which left her unable to wear anything but slip-ons on her feet, Martins decorated her home with 'glass and light'.

Human Sculpture, Sculpture Garden, African Design, African Art, Owl House, Art Brut, The Residents, Outsider Art, Land Art

Beautiful Windows to be found in the Owl House in Nieu-Bethesda In the back…

Owl House, The Residents, Garden Sculptures, Heartland, Outsider Art, Arthritis, African Art, South Africa, Martin O'malley

HELEN MARTINS (1897-1976) | THE OWL HOUSE | South Africa | Known to the residents of Nieu-Bethesda as 'Miss Helen' and thought of as a strange and rather outlandish character, she shied away from general contact, and began transforming her house and garden. Despite crippling arthritis, and the amputation of her small toes which left her unable to wear anything but slip-ons on her feet, Martins decorated her home with 'glass and light'.

HELEN MARTINS (1897-1976) | THE OWL HOUSE | South Africa | Known to the residents of Nieu-Bethesda as 'Miss Helen' and thought of as a strange and rather outlandish character, she shied away from general contact, and began transforming her house and garden. Despite crippling arthritis, and the amputation of her small toes which left her unable to wear anything but slip-ons on her feet, Martins decorated her home with 'glass and light'.

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